Most underwater photographs lack contrast just because of the medium we are in. The first thing I always do is look at the levels in photoshop.
The histogram for this one is as near perfect as I can get. There's data from a full black on the left to a full white on the right. Even so I'd probably be tempted to shift the black in a little to give it a bit more punch.
This is much more common for an underwater photograph. There is no data at either end of the graph but there is a reasonable bell curve distrubution where the data does exist. You can see the pointers where I'd shift the black and white points to improve contrast.
This was drummed into me when I was doing chemical prints in a dark room, except in very exceptional circumstances, you need to cover the full range from black to white.


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